Small Wooden Shoe is named after the tools French workers would use to "clog" the machinery when on strike. Their “sabot” – small wooden shoes – gave English the word “sabotage.”

Like them, we want to disrupt the machinery of "business as usual" in hopes for a better world. more about what we do

Public Application Part 2: of Background

[Biographical information: most worth skipping - if you're on the blog you might have some sense of it already.]Public Application: Cover Letter

Public Application Part 1: of Values

Public Application Part 3: @Factory Theatre


Beginning with my family and deepened by my experience as a director, dramaturge and organizer, I have been encouraged to be curious and critical with a belief that what we do and how we do it matters – politically, socially and ethically. I’ve been inspired to believe that the best things matter to the broader society I live in, as well as the community closest to me; that there is a responsibility to make something that matters.

I have independently produced and directed over 25 new works in the past thirteen years. With Sabotage Group (Founding member, Vancouver and Toronto) and then Small Wooden Shoe (Founding Director, Halifax and Toronto) I’ve expressed the belief that developing a sound artistic practice shouldn’t limit me to one performance genre or methodology. My work has included political agit-prop; hard-boiled live-to-air radio; Chekhov adaptations; multi-media solo shows and the conversational formalism I’ve become best known for. I have worked with playwrights, co-translated Brecht, staged monumental readings, convened community Christmas concerts, on-line think tanks, public meetings, taught workshops, sat on panels, given keynote lectures and written for publication.

My projects are created in collaboration. I often bring the conceptual framework and starting points to the collaborators and the work is the result of the responses to my propositions and my response to those responses. This creative feedback-loop expands the work beyond the possibilities of a single maker, with all participants having a personal investment in the work, while maintaining a distinct and rigorous artistic vision.

Most of this work has been done with regular collaborators of Small Wooden Shoe, and has also included important partnerships with Buddies in Bad Times Theatre, Dancemakers, High Performance Rodeo, Hub 14, Theatre Passe Muraille and Canadian Stage, among others. We have found touring partners in Edmonton (WorkshopWest) Calgary (One Yellow Rabbit); Kitchener (Magnetic North,) Halifax (Eastern Front Theatre) and most recently, Montreal (OFFTA). I believe in the strength of these partnerships. We live in interdependent times and need to embrace that.

In my on-going dramaturgical relationship with Ame Henderson and Public Recordings I’ve participated in and grown from working with dance artists of incredible quality and on the development of performances that are at the edge of their field and have toured nationally and internationally.

Through my work as Resident Dramaturge and Animateur at Dancemakers and the Centre for Creation, I have invested in questions of how a company with a significant history engages with new work development, audience experience and organizational structure and leadership. Assisting Artistic Director Michael Trent, I have helped program seasons and taken part in strategic planning and field-wide discussions of value-based leadership and the role of performing arts institutions and spaces in the arts field and broader world

.

Public Application Part 1: of Values

Public Application Part 3: @Factory