Part of Field Notes from the Festivals, a series of posts, rough and not very edited of my experiences in Montreal, Ottawa and Toronto from theFestival Transamerique, OFFTA, Magnetic North Theatre Festival and LuminatoRead More
Welcome to this new space for writing about the things that I, and the shimmering group of regulars and irregulars around Small Wooden Shoe, care about.
Exploring and linking of these cared-for areas makes up what I consider my practice.
And I would like that practice to involve more writing and thinking in public.
I'm writing a series articles about the experience of attending the festivals, more holistic than show specific. Those will come out between this summer and next.
In the mean time I'm going to keep more immediate and show focused Field Notes here. Daily mangled contributions to writing on performance and context.
"Practice as modelling, I thus realized, has an important real-time structure, with the contours of cultural extension being determined by the emergence in time of resistances, and by the success or failure of "accommodations" to resistance.
"This temporal structuring of practice as a dialectic of resistance and accommodation is, in the first instance, what I have come to call the mangle of practice." - Pickering (xi)
A "mangle", beyond gruesome imagination, is an old fashioned washing machine.
Though maybe sometimes that too.
I'm drawn to wringing, expanding and entangling a variety of practices and ideas - and I have been dissatisfied with the metaphors like "mixing" and "balancing."
The "mangle" has some of the discomfort, mischief and violence along with the historic usefulness that I want from my metaphors.
So I'm going to go with that.
- Andrew Pickering The Mangle of Practice (1995) -- I might use different language than Pickering in "resistance and accommodation." Accommodation rings too close to "compromise" and is currently bogged down in the "reasonable accommodation" conversations. "Resistance" is also overly negative these days, framed through psychoanalysis and The War of Art and less about people resisting untenable power.