[In which I articulate some by big picture values for doing what I do]
It is the event of theatre that excites me. The meeting of two groups of people: one group who mostly knows what is going to happen and one group who mostly doesn’t. One group who mostly witnesses and one who mostly does. This meeting of publics and artists is so full of potential and hope: the excitement and unknown generated by a simple trip out, the faith and desire expressed by the audiences’ presence, the labour and love of the artists. The manner, meaning and ambition of this meeting is my primary concern in the theatre.
I want to speak to the curious part of people and to the alienated who wish they weren't. This is a potentially broad and diverse group, since I believe in the capacity for curiosity in everyone and we live in deeply alienating times. I don't think theatre is going to "cure alienation" or completely fulfill anyone’s curiosity. That would be absurd and terrible for them and us but I am drawn to create spaces in which people come together. Spaces in which there are conversations about things that people care about. The time is relaxed and filled with laughter, but death and politics are still discussed, people fall in and out of love, plans are hatched and actions taken. Stories are told. Songs are sung. A social, community-generating environment is created. The impact of Cape Breton and Halifax on my work should not be overlooked.
Public Application: Cover Letter
Public Application Part 1: of Values
Public Application Part 2: Personal Background (an extended version of my bio - skippable)
Public Application Part 3: @Factory Theatre